Archive for March, 2017


Your “I love you”

IMG_4843

Your: “I love you.” is persistent and insistent this morning. Almost angry… breaking in.

I answer: God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God. God… silently for minutes… a question, an answer, gratitude and longing, despair and hope…

Where would I be without You?

Where are the limits? My head? My heart? My body? I assume I am my own limitation.

IMG_7008

 

All that isn’t
All that is
All out of my hands
but I hold it
just the same

All that is mess
All that is mystery
All that is ‘out there’
and within me
just the same

 

Talitha Fraser

 

God, what does Your Great Economy have to say to this who knows its worth? Let me trust to Your providing for what is pleasing to You. Drop what should be dropped, yield what should be yielded, share what should be shared, confess what should be confessed. Let some fall, let some break, let some call, let some run late. If it is not of You – let it lie, let it die, that I might know life anew in You.

IMG_4720

I went to the angel and asked him to give me the little scroll.
He said to me, ‘Take it, and eat it.’
Rev 10.9

IMG_4698

 

IMG_4640

ELAINE BROWN

There is no such thing as a part-time revolution.

We’re not here for black liberation but for all liberation.

We didn’t come here for a better life,
or religious freedom [like migrants to US],
we came kicking and screaming.

We provided the conditions for people to bring about the revolution –
gave them free education, a free breakfast, access to a free clinic…
they have the human right to food, to health care –
we gave them the experience of something worth fighting for.

Are we breaking the glass ceiling to be oppressors ourselves?!
No. We have a common enemy.
Can’t see ourselves in competition with anyone else.
What is our agenda as women?
To find solidarity with the others who are suppressed.

IMG_4644

PAOLA BALLA

Learn how to situate yourself.

Do not let your feminism drive your racism.

Mind and heart, mine is a matriarchal tradition – 
you experience yourself as a part of others.

Activism is radical self-care.
It is a form of activism to thrive, not just survive.
Art is not living but living can be art.

“The world will crumble one day.
It’s ok. We know how to be poor.
We know how to live without electricity…”
– Rosie Egan

IMG_4652

NAYUKA GORRIE

(of WOW/speakers)
To see your reality reflected back you.
Very powerful.

How much of my gender came out of a book? A ship?
The convent that beat my grandmother?
We need to consider: how is gender colonised?

Your black body is never quite yours in this country.
Hyper-sexualised vs. not attractive at all. Strong vs. not strong at all.
Used for labour (work) vs. in labour (baby)
A shaved head means either a Britney melt down (dysfunctional)
vs. fundraising for cancer (held up as a role model) –
What other personal reclamations can I make of my own body?

Keep this flesh vessel tight [runs regularly].
Doing well is resistance.

Fragile, I wait.

IMG_4527.JPG

 

Fragile, I wait.
Soft new tendrils shooting
are greeted with joy.
There is little definition,
no certainty
but possibility
and that is enough
to hope.

Talitha Fraser

IMG_4619.JPG

IMG_4617

Trigger warning: there’s a lot that’s demeaning and dehumanising in this – whatever your gender and sexual orientation

IMG_4630

IMG_4631

IMG_4632

 

IMG_4494

 

God –
be the Creator to the void
that’s within me
light where there is dark
something where there is vacancy
sound where there is silence
sight where I am blind.

Amen

Just in case you missed it – the Sovereignty exhibition at ACCA was stunning.

This slideshow requires JavaScript.

 

We need to keep leaning into the truth that colonisation isn’t a “once upon a time…” story of something that happened long ago and far away but is still happening here and now. On land that was never ceded – what does being “Australian” look like or mean? You see in the piece by Clinton Nain Water Bottle Bags something beautiful made of found objects: plastic bottles, emu eggs, emu feathers, electrical cable, wire, string… a mix of  what is natural and man-made, a mix of traditional and contemporary.  What does it mean that the contemporary is waste, or is it in the hands of the custodians? What does traditionally acquired knowledge – a different understanding of the world and how to engage it have to teach us? This exhibition provoked this reflection and many more. See more photos and read the (highly recommended!) Sovereignty publication on the ACCA website:

 

To be sovereign is in fact to act with love and
resistance simultaneously. Uncle Banjo Clarke, the
late Gunditjmara statesman, said we must ‘fight
hate with love.’2 If there is a thread that connects
all the artists across the wide diversity of practices
represented in Sovereignty it is this deep love for
family, for truth telling and for beauty.

– Paola Balla –


Sovereignty

ACCA is proud to present Sovereignty, an exhibition focusing upon contemporary art of First Nations peoples of South East Australia, alongside keynote historical works, to explore culturally and linguistically diverse narratives of self-determination, identity, sovereignty and resistance.

Taking the example of Ngurungaeta (Elder) and Wurundjeri leader William Barak (c.1824–1903) as a model – in particular Barak’s role as an artist, activist, leader, diplomat and translator – the exhibition presents the vibrant and diverse visual art and culture of the continuous and distinct nations, language groups and communities of Victoria’s sovereign, Indigenous peoples.

Bringing together new commissions, recent and historical works by over thirty artists, Sovereignty is structured around a set of practices and relationships in which art and society, community and family, history and politics are inextricably connected. A diverse range of discursive and thematic contexts are elaborated: the celebration and assertion of cultural identity and resistance; the significance and inter-connectedness of Country, people and place; the renewal and re-inscription of cultural languages and practices; the importance of matriarchal culture and wisdom; the dynamic relations between activism and aesthetics; and a playfulness with language and signs in contemporary society.

Sovereignty provides an opportunity to engage with critical historical and contemporary issues in Australian society. The exhibition takes place against a backdrop of cultural, political and historical debates related to questions of colonialism and de-colonisation, constitutional recognition, sovereignty and treaty.

Curators
Paola Balla and Max Delany

 

ArtistsIMG_4154

Brook Andrew
William Barak
Lisa Bellear
Jim Berg
Briggs
Trevor Turbo Brown
Amiel Courtin-Wilson / Uncle Jack Charles
Maree Clark
Vicky Couzens
Destiny Deacon & Virginia Fraser
Marlene Gilson
Korin Gamadji Institute
Brian Martin
Kent MorrisIMG_4420
Clinton Nain
Glenda Nicholls
Bill Onus
Steaphan Paton
Bronwyn Razem
Reko Rennie
Steven Rhall
Yhonnie Scarce
Warriors of the Aboriginal Resistance (WAR)
Peter Waples-Crowe
Lucy Williams-Connelly